Evaluating linework in your art

Evaluating linework in your art

Of all the seven elements of art, linework is usually the first thing I notice. It’s where my eye lands first and often what keeps me looking. Because of that, I’ve wanted to figure out how to evaluate it in a way that helps me understand what exactly inspires me about one piece over another.

When I’m looking at an illustration, I use a simple checklist of questions. It helps me focus so I don’t just vaguely say “I like the lines.” Instead, I can point to what it is about the linework that’s pulling me in. I don’t document every single line, that would get overwhelming. Instead, I do a kind of “squint test” and pay attention to the overall qualities that stand out.

I’ll do this with several pieces of art, looking for common threads. Once I spot those patterns, I’ve got a piece of my own visual vocabulary that I can apply to any artwork I love (or don’t love) and eventually to my own work.

Line Function

How is line being used? Is it outlining shapes, creating detail, adding decoration, or showing emotion?

  • Outlines (line drawn on the edges of shapes, or the absence of these lines)
  • Contour lines (lines drawn to show the inner dips, folds and form of a shape, as well as the its inner details)
  • Texture (lines showing the surface quality of an object; these lines can be realistic to more decorative or patterned, and can be dense to sparse.)
  • Expressive lines that are drawn or  painted around the objects or motifs, in the background or negative space to show mood, emotion, movement, and more.
  • Decorative marks are lines that add embellishment to the background, foreground or elsewhere in the illustration. They might be scribbles, doodles, flourishes, patterns and more.
  • Did I miss something? Add your own.

Line Quality

What do the lines actually look like? The specific character of a line is often what grabs me.
  • Thin and delicate
  • Thick or bold
  • Varied (both thin & thick lines or individual lines that have variation.)
  • Uniform or monoline
  • Smooth and fluid
  • Jagged and angular
  • Sketchy or hand-drawn/painted
  • Clean and crisp
Something else?

Line Expression

How do the lines move across the illustration? The motion in linework can completely change the mood of a piece.
  • Curved and organic
  • Straight or rigid
  • Repeated and patterned
  • Energetic and vibrant
  • Calm
Add your own.

Line Density

How much linework is there? Is it sparse and minimal, or busy and all-over?
  • Sparse (minimal, only where needed)
  • Balanced (line & open space feel equal)
  • Dense (a lot of lines, busy, detailed)
For me, slowing down to notice these things has been eye-opening. I start to see patterns in what I love. Maybe it’s thin, delicate lines used as detail, or bold, graphic lines that hold everything together. The more I notice, the clearer my own preferences become. And once I know what consistently draws me in, I can start weaving that into my own work with intention.

Share This Post:

Pinterest
Facebook
Threads
Twitter
Email

You May Also Like...

Copyright Info

Unless stated otherwise, all artwork on this website is copyrighted by Kerry Boan & Kerry Boan Creative.

You may not reproduce, distribute, or use any artwork without written permission from the copyright holder. If you have not entered into a licensing agreement or freelance contract with Kerry Boan Creative and use any artwork from this website or one of my social media accounts without permission, legal action may be taken.

If you’re interested in discussing the possibility of art licensing or freelance work, please contact me. Thank you.